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<title>Charles Bernstein Web Log</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/index.html</link>
<description>Poetics in Situ</description>
<language>en-us</language>
<lastBuildDate>Thu, 02 Sep 2010 00:51:56 -0700</lastBuildDate>


<item>
<title>Flash slapamedia: Sir Lucious Bernstein, New Pages review of All the Whiskey</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#09-02-10</link>
<description>
&lt;!-- &lt;/span&gt; --&gt;
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&lt;a name="09-02-10" id="09-02-10"&gt;&lt;/a&gt;
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&lt;font color="#000000"&gt;&lt;a href="http://newpages.com/bookreviews/2010-09/#All-the-Whiskey-in-Heaven-by-Charles-Bernstein"&gt;&lt;br&gt;
  Larry O. Dean&lt;br&gt;
  on &lt;i&gt;All the Whiskey in Heave: Selected Poems&lt;br&gt;
  &lt;/i&gt;
  New Pages&lt;/a&gt;&lt;br&gt;
  &lt;br&gt;
  &lt;br&gt;
  &amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&amp;radic;&lt;/p&gt;
  &lt;p class="MsoNormal"&gt;&lt;br&gt;
    &lt;font color="#000000"&gt;&lt;a href="http://slapmedia.tumblr.com/post/955590929"&gt;&lt;/a&gt;&lt;/font&gt;&lt;/p&gt;
&lt;a href="http://slapmedia.tumblr.com/post/955590929"&gt;&lt;img src="http://19.media.tumblr.com/tumblr_l76ee910jA1qdntv3o1_r1_1283300080_cover.png"&gt;&lt;/a&gt; &lt;br&gt;
&lt;script type="text/javascript" language="javascript" src="http://assets.tumblr.com/javascript/tumblelog.js?16"&gt;&lt;/script&gt;&lt;span id="audio_player_955590929"&gt;[&lt;a href="http://www.adobe.com/shockwave/download/download.cgi?P1_Prod_Version=ShockwaveFlash" target="_blank"&gt;Flash 9&lt;/a&gt; is required to listen to audio.]&lt;/span&gt;&lt;script type="text/javascript"&gt;replaceIfFlash(9,"audio_player_955590929",'\x3cdiv class=\x22audio_player\x22\x3e&lt;embed type="application/x-shockwave-flash" src="http://slapmedia.tumblr.com/swf/audio_player_black.swf?audio_file=http://www.tumblr.com/audio_file/955590929/tumblr_l76ee910jA1qdntv3&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;\x3c/div\x3e')&lt;/script&gt;
              
            &lt;br&gt;&lt;p&gt;&lt;a href="http://slapmedia.tumblr.com/post/955590929"&gt;&amp;#8220;Samba de Orly,&amp;#8221; &lt;/a&gt;&lt;em&gt;Sir Lucious Bernstein: The Son of Herman Joseph&lt;/em&gt;&lt;/p&gt;

          
          
          

            &lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;

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  &lt;font color="#000000"&gt;&lt;a href="http://epc.buffalo.edu/authors/bernstein/blog/#09-02-10" 
title="09-02-10" rel="bookmark"&gt;&lt;font size="-1"&gt;link&lt;/font&gt;&lt;/a&gt;&lt;font size="-1"&gt; &amp;nbsp; &amp;nbsp;|&amp;nbsp; 09-02-10&lt;/font&gt;&lt;/font&gt;&lt;/div&gt; 



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<pubDate>Thu, 02 Sep 2010 00:51:04 -0700</pubDate>
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<item>
<title>Tan Lin EPC page</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#08-31-10</link>
<description>
&lt;!-- &lt;/span&gt; --&gt;
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&lt;a name="08-31-10" id="08-31-10"&gt;&lt;/a&gt;
&lt;div align="center"&gt;

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&lt;table width="832" border="2" cellspacing="10" cellpadding="10"&gt;
  &lt;tr&gt;
    &lt;td bgcolor="#CC99FF"&gt;&lt;p align="center" class="MsoNormal"&gt;&lt;img name="" src="http://epc.buffalo.edu/authors/lin/edit.jpg" width="700" alt=""&gt;&lt;/p&gt;
      &lt;p align="center" class="MsoNormal"&gt;&lt;img src="http://epc.buffalo.edu/authors/lin/edit.jpg" alt="" name="" width="538" height="59"&gt;&lt;/p&gt;
      &lt;div align="center"&gt;&lt;span class="MsoNormal"&gt;&lt;img src="http://epc.buffalo.edu/authors/lin/edit.jpg" alt="" name="" width="420" height="39"&gt;&lt;/span&gt;
      &lt;/div&gt;
      &lt;p align="center"&gt;&amp;nbsp;&lt;/p&gt;
      &lt;p align="center"&gt;&lt;b&gt;&lt;a href="http://epc.buffalo.edu/authors/lin/"&gt;Tan Lin &lt;br&gt;
        EPC home page&lt;br&gt;
        edited by Danny Snelson&lt;/a&gt;&lt;/b&gt;&lt;a href="http://epc.buffalo.edu/authors/lin/"&gt;&lt;/a&gt;&lt;/p&gt;&lt;/td&gt;
  &lt;/tr&gt;
&lt;/table&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;

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&lt;a href="http://epc.buffalo.edu/authors/bernstein/blog/#08-31-10" 
title="08-31-10" rel="bookmark"&gt;&lt;font size="-1"&gt;link&lt;/font&gt;&lt;/a&gt;&lt;font size="-1"&gt; &amp;nbsp; &amp;nbsp;|&amp;nbsp; 08-31-10&lt;/font&gt;
&lt;/div&gt; 



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<pubDate>Tue, 31 Aug 2010 11:58:56 -0700</pubDate>
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<title>Hannah Weiner issue of Wild Orchids</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#08-28-10</link>
<description>
&lt;!-- &lt;/span&gt; --&gt;
&lt;!-- &lt;/span&gt; --&gt; &lt;br&gt;
&lt;a name="08-28-10" id="08-28-10"&gt;&lt;/a&gt;
&lt;div align="center"&gt;

  &lt;p&gt;&lt;b&gt;&lt;i&gt;&lt;a href="http://wildorchids.endingthealphabet.org/"&gt;WILD ORCHIDS&lt;/a&gt;&lt;/i&gt; &lt;a href="http://wildorchids.endingthealphabet.org/"&gt;&lt;br&gt;
    vol. 2&lt;br&gt; 
    Hannah Weiner &lt;/a&gt;&lt;/b&gt;
      &lt;/p&gt;
    &lt;/p&gt;
  &lt;p&gt;Coda to &lt;br&gt;
    Hannah Weiner's &lt;i&gt;The Book of Revelations &lt;/i&gt;&lt;br&gt;
    Marta Werner &lt;br&gt;
      &lt;br&gt;
    from &lt;i&gt;The Book Of Revelations &lt;/i&gt;&lt;br&gt;
    Hannah Weiner &lt;br&gt;
    (excerpts from previously unpublished ms&lt;br&gt;
    ed. Marta Werner)
    &lt;/p&gt;
  &lt;/p&gt;
  &lt;p&gt;  LINEbreak Hannah Weiner Interview&lt;br&gt;
    (transcript of undedited recording)&lt;br&gt;
    Charles Bernstein &lt;br&gt;
    (with a brief intro by Martin Spinelli)
    &lt;/p&gt;
  &lt;/p&gt;
  &lt;p&gt;
    ****
    &lt;/p&gt;
    &lt;/p&gt;
  &lt;p&gt;Hannah Weiner and Our &amp;quot;Unknown Collaborators&amp;quot; &lt;br&gt;
    Laynie Browne&lt;br&gt;
    &lt;br&gt;
    Apartment Drama &lt;br&gt;
    Corina Copp&lt;br&gt;
    &lt;br&gt;
    Fashion Auras &lt;br&gt;
    Kaplan Harris &lt;br&gt;
    &lt;br&gt;
    from The Life and Times of Annie Weiner &lt;br&gt;
    Jennifer Karmin &lt;br&gt;
    &lt;br&gt;
    No One Asked You &lt;br&gt;
    Joey Yearous-Algozin &lt;br&gt;
    &lt;br&gt;
  &amp;quot;TELLINGS TRUTH&amp;quot; &lt;br&gt;
    Jennifer Russo &lt;br&gt;
    &lt;br&gt;
    Hannah Weiner's Clear-Sighted Journal &lt;br&gt;
    Jeremiah Bowen 
    &lt;/p&gt;
    Radiant Elvis MRI&lt;br&gt;
    CAConrad &lt;br&gt;
    &lt;br&gt;
    What She Read &lt;br&gt;
    Eileen Myles&lt;br&gt;
    &lt;br&gt; 
    Money&lt;br&gt;
    Chris Kraus &lt;br&gt;
    &lt;br&gt;
    The Incinerator &lt;br&gt;
    Juliana Spahr &lt;br&gt;
    &lt;br&gt;
    Writing Between Distant Others &lt;br&gt;
    Stan Apps 
    &lt;/p&gt;
          &lt;/p&gt;
  &lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;

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&lt;a href="http://epc.buffalo.edu/authors/bernstein/blog/#08-28-10" 
title="08-28-10" rel="bookmark"&gt;&lt;font size="-1"&gt;link&lt;/font&gt;&lt;/a&gt;&lt;font size="-1"&gt; &amp;nbsp; &amp;nbsp;|&amp;nbsp; 08-28-10&lt;/font&gt;
&lt;/div&gt; 



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</description>
<pubDate>Fri, 27 Aug 2010 20:29:50 -0700</pubDate>
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<title>Scalapinos's new book</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#08-27-10</link>
<description>
&lt;!-- &lt;/span&gt; --&gt;
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&lt;a name="08-27-10" id="08-27-10"&gt;&lt;/a&gt;
&lt;div align="center"&gt;

&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;img src="http://www.postapollopress.com/dihedrons.jpg" alt="" name="cover" width="400"&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.postapollopress.com/dihedrons.html"&gt;The Dihedrons Gazelle-Dihedrals Zoom&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;a href="http://www.postapollopress.com/dihedrons.html"&gt;&lt;br&gt;
    &lt;b&gt;Leslie Scalapino &lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;
    &lt;/p&gt;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;i&gt;The Dihedrons Gazelle-Dihedrals Zoom&lt;/i&gt;&lt;span style="font-style:normal; "&gt; is an ekphrastic implosion inside our severed human-body/animal-mind. &amp;quot;Memory isn't the origin of events,&amp;quot; Scalapino writes early in this magisterial work, which restores the synthesis of events to its place as meanings' origin. The Dihedrons Gazelle-Dihedrals Zoom -- as much a work of grotesque science fiction as a poem -- cracks open the imaginary reality astride reality. In the stadium of its visionary composition, the everyday floats vivid strange: in time, as time, with time, beside time.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;

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title="08-27-10" rel="bookmark"&gt;&lt;font size="-1"&gt;link&lt;/font&gt;&lt;/a&gt;&lt;font size="-1"&gt; &amp;nbsp; &amp;nbsp;|&amp;nbsp; 08-27-10&lt;/font&gt;
&lt;/div&gt; 



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<pubDate>Fri, 27 Aug 2010 12:31:31 -0700</pubDate>
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<item>
<title>Lost in the West Edomonton Mall, from Geist</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/index.html</link>
<description>
&lt;!-- &lt;/span&gt; --&gt;
&lt;!-- &lt;/span&gt; --&gt; &lt;br&gt;
&lt;p class="MsoNormal"&gt;&lt;span style="font-family:Times; font-size:10.0pt; "&gt;&lt;span style="text-underline:none; text-decoration:none; "&gt;&lt;a href="http://www.geist.com"&gt;&lt;img border="0" width="270" height="100" src="http://www.geist.com/sites/all/themes/geist/images/logo.png" alt="Home"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;i&gt;Geist&lt;/i&gt; 77 Summer 2010&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span style="font-family:Times; font-size:10.0pt; "&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;img name="" src="http://www.geist.com/files/images/imce/dm.jpg" height="1000" alt=""&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span style="font-family:Times; font-size:10.0pt; "&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family:Times; font-size:13.5pt; "&gt;&lt;b&gt;&lt;br&gt;
  Charles Bernstein&lt;br&gt;
&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family:Times; font-size:10.0pt; "&gt; a poem presented at the In(ter)ventions conference in Banff, February 2010&lt;br&gt; 
and first published in West Coast LINE.&lt;br&gt;
&lt;br&gt;
&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span style="font-family:Times;"&gt;&lt;b&gt;&lt;font size="+1"&gt;You Never Looked So Simulating&lt;/font&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="+1"&gt;&lt;span style="font-family:Times;"&gt;The next stop was Edmonton&lt;br&gt;
  where I got lost in the Fantasyland&amp;nbsp;&lt;br&gt;
  Mall on the way to one of the demi&amp;ndash;&lt;br&gt;
  keynotes at the International Association&amp;nbsp;&lt;br&gt;
  for Philosophy and Literature&amp;nbsp;&lt;br&gt;
&amp;ldquo;Thinking Between Poetry &amp;amp;&amp;nbsp;&lt;br&gt;
Philosophy&amp;rdquo; convention &amp;amp; so missed&lt;br&gt;
most of the lecture on the &amp;ldquo;The Ineluctable&lt;br&gt;
Split of Poetry&amp;rsquo;s Unsayable Name: Reading&lt;br&gt;
Derrida through Nietzsche&amp;rsquo;s Unknowable&lt;br&gt;
Answer to Celan&amp;rsquo;s Joyce (A Response to&lt;br&gt;
Benjamin).&amp;rdquo; Many of the conventioneers&lt;br&gt;
noted that the &amp;ldquo;Bourbon Street&amp;rdquo; food&lt;br&gt;
mall was a perfect example of &amp;ldquo;simulation&amp;rdquo; &amp;mdash;&lt;br&gt;
a view I have trouble understanding&lt;br&gt;
(not unusual for me)&amp;nbsp;&lt;br&gt;
  since the patrons of the food court&lt;br&gt;
  seem to enjoy the fact that&amp;nbsp;&lt;br&gt;
&amp;ldquo;Bourbon Street&amp;rdquo; is ineluctably in&lt;br&gt;
the West Edmonton Mall &amp;amp; the designers&amp;nbsp;&lt;br&gt;
of the street seemed to go&amp;nbsp;&lt;br&gt;
out of their way to emphasize this fact,&lt;br&gt;
making it look like a plaster cast&amp;nbsp;&lt;br&gt;
sketch of a picture of a New Orleans street&lt;br&gt;
&amp;amp; not like the &amp;ldquo;real thing&amp;rdquo; at&lt;br&gt;
  all; the only ones fooled were&lt;br&gt;
  we conventioneers having our&lt;br&gt;
  dinner as we chatted about the&lt;br&gt;
  break&amp;shy;down of reality and simulacra&lt;br&gt;
  (or simusoy for the lactose&amp;nbsp;&lt;br&gt;
  intolerant). &amp;amp; talk about authentically&lt;br&gt;
  local as you might, the Buffalo&lt;br&gt;
  wings on Bourbon Street&lt;br&gt;
  in the West Edmonton Mall&lt;br&gt;
  never tasted so real&lt;br&gt;
  or would have. I had&amp;nbsp;trout.&amp;nbsp;&lt;/span&gt;&lt;/font&gt;
  &lt;!--PERMALINK FIELD --&gt;
&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;div align="left"&gt;
&lt;a href="http://www.geist.com/finding/lost-west-edmonton-mall" 
title="08-23-10" rel="bookmark"&gt;&lt;font size="-1"&gt;&lt;/font&gt;&lt;font size="-1"&gt;link&lt;/font&gt;&lt;/a&gt;&lt;font size="-1"&gt; &amp;nbsp; &amp;nbsp;|&amp;nbsp; 08-23-10&lt;/font&gt;&lt;/div&gt; 



&lt;!-- &lt;span class="rss-link"http://www.geist.com/finding/lost-west-edmonton-mall&lt;/span&gt; --&gt; 
</description>
<pubDate>Sun, 22 Aug 2010 20:57:37 -0700</pubDate>
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<item>
<title>Fall Capilano Review</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#08-20-10</link>
<description>
&lt;!-- &lt;/span&gt; --&gt;
&lt;!-- &lt;/span&gt; --&gt; &lt;br&gt;
&lt;a name="08-20-10" id="08-20-10"&gt;&lt;/a&gt;
&lt;div align="center"&gt;


  &lt;p&gt;
  &lt;img src="https://app.icontact.com/icp/loadimage.php/mogile/484527/e51d57895c79c300ac7f14e5fce1f7a5/image/jpeg" alt="" width="300" height="386" align="left" style="margin: 5px 15px 5px 5px;" title=""&gt;
  
  
  &lt;b&gt;The Capilano Review&lt;br&gt;
    Issue 3.12 (Fall
    2010) &lt;/b&gt;&lt;br&gt;
    will be
    on the newsstands and in your mailbox in October: it features an interview with
    American poet and artist duo, Charles Bernstein and Susan Bee, about their
    early-career sojourn in British Columbia in the 1970s. Their BC history will be
    surprising to many readers. We will also feature art work by Susan Bee and
    poems by Bernstein, all produced in Ruskin, BC in 1973. The issue will also
    include new work by Nicole Brossard, Er&amp;igrave;n Moure, and Meredith
    Quartermain plus several new writers: Colin Brown, A. Di Nardo, Cara Kauhane,
    and others. 
Subscribe
  if you haven&amp;rsquo;t yet: &lt;a target="TCR" title="TCR" href="http://click.icptrack.com/icp/relay.php?r=48338342&amp;msgid=454820&amp;act=I4LK&amp;c=484527&amp;destination=http%3A%2F%2Fwww.thecapilanoreview.ca"&gt;www.thecapilanoreview.ca&lt;/a&gt;&lt;/font&gt;</description>
<pubDate>Thu, 19 Aug 2010 20:31:32 -0700</pubDate>
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<title>Leigh Davis Flag Poems, UK poetry site, Ken Edwards</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#08-19-10</link>
<description> 
&lt;!-- &lt;/span&gt; --&gt;
&lt;!-- &lt;/span&gt; --&gt; &lt;br&gt;
&lt;a name="08-19-10" id="08-19-10"&gt;&lt;/a&gt;
&lt;div align="center"&gt;

&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;a href="http://www.modernpoetry.org.uk/index.html"&gt;Modern Poetry &lt;br&gt;
&lt;/a&gt;(key intro site for innovative UK poetry)&lt;/p&gt;
&lt;p class="MsoNormal"&gt;*&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;a href="http://drfulminare.com/kenedwards.html"&gt;Ken Edwards interview&lt;/a&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&amp;divide;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;img name="" src="http://jackbooks.com/Leigh/online/Flags/2-Macoute-lge.jpg" width="800" alt=""&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;a href="http://jartrust.co.nz/show.htm"&gt;Time, Text &amp;amp; Echoes &lt;br&gt;
  Leigh Davis Flag Poems&lt;br&gt;
  (New Zealand)&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;
&lt;/div&gt;

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&lt;div align="left"&gt;
&lt;a href="http://epc.buffalo.edu/authors/bernstein/blog/#08-19-10" 
title="08-19-10" rel="bookmark"&gt;&lt;font size="-1"&gt;link&lt;/font&gt;&lt;/a&gt;&lt;font size="-1"&gt; &amp;nbsp; &amp;nbsp;|&amp;nbsp; 08-19-10&lt;/font&gt;
&lt;/div&gt; 



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<pubDate>Thu, 19 Aug 2010 16:32:57 -0700</pubDate>
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<item>
<title>Tan Lin video portrait</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#08-17-10</link>
<description>
&lt;!-- &lt;/span&gt; --&gt;
&lt;!-- &lt;/span&gt; --&gt; &lt;br&gt;
&lt;a name="08-17-10" id="08-17-10"&gt;&lt;/a&gt;
&lt;div align="center"&gt;

&lt;p&gt;&lt;font size="+1" face="Georgia, Times New Roman, Times, serif"&gt;&lt;b&gt;Tan Lin&lt;/b&gt;&lt;/font&gt; &lt;/p&gt;
&lt;p id="lin1"&gt;&lt;a href="http://www.macromedia.com/go/getflashplayer"&gt;Go to blog page to see streaming video; links below are corrected!&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;
  &lt;script type="text/javascript"&gt;
var FO = { movie:"http://media.sas.upenn.edu/pennsound/authors/Bernstein/portraits/flvplayer.swf",width:"640",height:"480",majorversion:"7",build:"0",bgcolor:"#FFFFFF",allowfullscreen:"true",
flashvars:"file=http://media.sas.upenn.edu/pennsound/authors/Bernstein/portraits/Lin_Tan_Ch-Bernstein_2007.flv&amp;image=http://media.sas.upenn.edu/pennsound/authors/Bernstein/portraits/Lin_Tan_Ch-Bernstein_2007.jpg"};
UFO.create( FO, "lin1");
&lt;/script&gt;
  &lt;b&gt;Ambient Tan&lt;/b&gt;&lt;br&gt;
  &lt;/b&gt;We met a new Japanese yogurt spot on West 32nd and then over to a Korean place just East of Fifth. The place was empty and we chatted away the afternoon. &lt;br&gt;
  &lt;b&gt;August 1, 2007&lt;br&gt;
  &lt;/b&gt;&lt;a href="http://media.sas.upenn.edu/pennsound/authors/Bernstein/portraits/Lin_Tan_Ch-Bernstein_2007.mp4"&gt;(mp4, 50 seconds, 37.2 mb)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Video Portraits Galleries&lt;br&gt;
  &lt;a href="http://writing.upenn.edu/pennsound/x/Bernstein-portraits.html"&gt;Portraits page 1&lt;/a&gt; &lt;br&gt;
  &lt;a href="http://writing.upenn.edu/pennsound/x/Bernstein-portraits-2.html"&gt;Portraits page 2&lt;/a&gt; &lt;br&gt;
  &lt;a href="http://writing.upenn.edu/pennsound/x/Bernstein-portraits-3.html"&gt;Portraits page 3&lt;/a&gt; &lt;br&gt;
  &lt;a href="http://writing.upenn.edu/pennsound/x/Bernstein-portraits-4.html"&gt;Portraits page 4&lt;/a&gt; &lt;br&gt;
  &lt;a href="http://writing.upenn.edu/pennsound/x/Bernstein-portraits-5.html"&gt;Portraits page 5&lt;/a&gt; &lt;br&gt;
  &lt;a href="http://writing.upenn.edu/pennsound/x/Bernstein-portraits-6.html"&gt;Portraits page 6&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;/div&gt;

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&lt;a href="http://epc.buffalo.edu/authors/bernstein/blog/#08-17-10" 
title="08-17-10" rel="bookmark"&gt;&lt;font size="-1"&gt;link&lt;/font&gt;&lt;/a&gt;&lt;font size="-1"&gt; &amp;nbsp; &amp;nbsp;|&amp;nbsp; 08-17-10&lt;/font&gt;
&lt;/div&gt; 



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<pubDate>Tue, 17 Aug 2010 08:29:10 -0700</pubDate>
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<title>Foeman, Zorn, Hills Astronome</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#08-15-10-Astronome</link>
<description>
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&lt;a name="08-15-10-Astronome" id="08-15-10-Astronome"&gt;&lt;/a&gt;
&lt;div align="center"&gt;

&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;img name="Astonomecover" src="http://www.tzadik.com/data/covers/3010.jpg" width="155" height="215" alt=""&gt;&lt;br&gt;
      &lt;b&gt;&lt;a href="http://www.tzadik.com/index.php?catalog=3010"&gt;&lt;i&gt;&lt;br&gt;
    Astronome: A Night at the Opera&lt;/i&gt;&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;Production: Richard Foreman&lt;br&gt;
  Music: John Zorn&lt;br&gt;
  Video: Henry Hills&lt;br&gt;
  &lt;a href="http://www.tzadik.com/index.php?catalog=3010"&gt;Tzadik&lt;/a&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;Using two HD video cameras, Henry Hills recorded 10 full live performances of this 2009 Zorn-Foreman collaboration, weaving together thousands of Foreman tableaux to create this exquisite mosaic. As Hills notes in the liner notes to the DVD, each shot represents the frame choice a viewer makes when confronted with the visual panorama that Foreman provides; you can never take in the whole, so go from discrete view to discrete view. (The choice of camera and the constraint of live performances precluded any long shots of the piece.) This is the greatest resource available to see the set-piece details of Foreman&amp;rsquo;s theater: concrete particulars woven together with dazzling precision. On the same DVD is Hill&amp;rsquo;s &amp;nbsp;&lt;i&gt;King Richard&lt;/i&gt;&lt;span style="font-style:normal; "&gt;, from &lt;/span&gt;&lt;i&gt;Emma&amp;rsquo;s Dilemma&lt;/i&gt;&lt;span style="font-style:normal; "&gt;. Interwoven with a disarming and charming Foreman interview by 12-year-old Emma Bee Bernstein. Hills has created his own magical interpretation of the Foreman experience: his repeats, overlays, and swoops give a visceral sense of this theater. (&lt;/span&gt;&lt;i&gt;King Richard&lt;/i&gt;&lt;span style="font-style:normal; "&gt; is also available on PennSound, but the image quality on the DVD is far superior.)&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;

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title="08-15-10-Astronome" rel="bookmark"&gt;&lt;font size="-1"&gt;link&lt;/font&gt;&lt;/a&gt;&lt;font size="-1"&gt; &amp;nbsp; &amp;nbsp;|&amp;nbsp; 08-15-10-Astronome&lt;/font&gt;
&lt;/div&gt; 



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<pubDate>Sun, 15 Aug 2010 12:29:40 -0700</pubDate>
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<title>Messerli on Sutzkever, Yinglish by Thomas Fink, Stein &amp; Wellman plays on line, Wreading performance anthology</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#08-15-10</link>
<description>
&lt;!-- &lt;/span&gt; --&gt;
&lt;!-- &lt;/span&gt; --&gt; &lt;br&gt;
&lt;a name="08-15-10" id="08-15-10"&gt;&lt;/a&gt;
&lt;div align="center"&gt;

&lt;p&gt;&lt;b&gt;Douglas Messerli's &lt;br&gt;
    &lt;a href="http://ustheater.blogspot.com/"&gt;new  blog&lt;/a&gt;&lt;/b&gt;&lt;br&gt;
includes scripts from Mac Wellman (&lt;i&gt;Bad Penny)&lt;/i&gt;, Alfred Kreymborg, Synge (and Barnes on Synge), &lt;br&gt;
  Ronald Tavel's Hedi Lamar, Stein's &lt;i&gt;What Happened&lt;/i&gt; &lt;br&gt;
  and one of Messerli's own plays and his commentaries.&lt;/p&gt;
&lt;p&gt;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;&lt;a href="http://www.thisisliveart.co.uk/resources/Study_Room/guides/rachel_lois_clapham_guide.html"&gt;&lt;b&gt;(W)reading Performance Writing &lt;/b&gt;&lt;/a&gt;&lt;/i&gt;&lt;br&gt;
ed. Rachel Lois Clapham&lt;/p&gt;
&lt;p&gt;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&lt;/p&gt;
&lt;p&gt;&amp;quot;Abraham Sutzkever&amp;mdash;who died early this year on January 20th at the age of 96&amp;mdash;was, as &lt;i&gt;The New York Times&lt;/i&gt; obituary mentioned, one of &amp;quot;the great Yiddish poets of his generation.&amp;quot; But to describe him in only that way is to miss much of his larger contribution to literary history. ...&amp;quot;&lt;br&gt;
  &lt;b&gt;  On Abraham Sutzkever&lt;br&gt; 
  Douglas Messerli &lt;br&gt;
  &lt;/b&gt;&lt;a href="http://sibila.com.br/index.php/newsibyl/1218-douglas-messerli"&gt;new@&lt;i&gt;Sybil&lt;/i&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&amp;ordm;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;a href="http://truckbooks.org/cata-fink.html"&gt;&lt;img name="" src="http://truckbooks.org/images/cata-fink-yinglish.png" width="346" height="196" alt=""&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span style="font-size:11.0pt; "&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://truckbooks.org/cata-fink.html"&gt;Yinglish Strophes 1-19 &lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;br&gt;
    &lt;b&gt;Thomas Fink&lt;/b&gt;&lt;br&gt;
  &lt;br&gt;
  &lt;a href="http://truckbooks.org/"&gt;Truck Books&lt;/a&gt;&lt;br&gt;
  is an elegant and inventive new press:&lt;br&gt;
  beautifully designed books you can buy (at sliding scale) or download.&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span style="font-size:11.0pt; "&gt;One of the first: &lt;br&gt;
    Fink is an ideolectical poet with a twist: he uses Yiddish syntax and, in performance, intonation and accent, in his marvellous &amp;ldquo;Yinglish&amp;rdquo; poems &amp;ndash; &lt;br&gt;
    &amp;ldquo;We&amp;rsquo;ll have snow April. Did&lt;br&gt;
    you ever have here April snow?&amp;rdquo;&lt;br&gt;
    &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;

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&lt;a href="http://epc.buffalo.edu/authors/bernstein/blog/#08-15-10" 
title="08-15-10" rel="bookmark"&gt;&lt;font size="-1"&gt;link&lt;/font&gt;&lt;/a&gt;&lt;font size="-1"&gt; &amp;nbsp; &amp;nbsp;|&amp;nbsp; 08-15-10&lt;/font&gt;
&lt;/div&gt; 



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<pubDate>Sun, 15 Aug 2010 08:51:58 -0700</pubDate>
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<title>Yunte Hunang in NY Times, Grenier on Creeley, UDP news</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#08-10-10</link>
<description>
&lt;!-- &lt;/span&gt; --&gt;
&lt;!-- &lt;/span&gt; --&gt; &lt;br&gt;
&lt;a name="08-10-10" id="08-10-10"&gt;&lt;/a&gt;
&lt;div align="center"&gt;

&lt;p&gt;Robert Grenier&lt;br&gt;
  &lt;a href="http://sibila.com.br/index.php/sibila-english/1208-robert-grenier"&gt;A TESTAMENT&lt;/a&gt;&lt;br&gt; 
  (Martin Richet / Robert Creeley, &amp;ldquo;Figure of Outward&amp;rdquo;)  &lt;br&gt;
  &lt;a href="http://sibila.com.br/index.php/englishsibyl"&gt;new@Sybil&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&lt;/p&gt;
&lt;p&gt;&lt;img name="" src="http://graphics8.nytimes.com/images/2010/08/11/arts/11chan-web1/11chan-web1-popup.jpg" width="329" height="500" alt=""&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.nytimes.com/2010/08/11/books/11chan.html?_r=1&amp;partner=rss&amp;emc=rss"&gt;Yunte Huang in tomorrow's &lt;i&gt;The New York Times&lt;/i&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&amp;para;&lt;/p&gt;
&lt;p&gt;&lt;img name="" src="http://farm5.static.flickr.com/4081/4866936592_189f813b58_b.jpg" width="752" height="1024" alt=""&gt;&lt;/p&gt;
&lt;/div&gt;

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&lt;a href="http://epc.buffalo.edu/authors/bernstein/blog/#08-10-10" 
title="08-10-10" rel="bookmark"&gt;&lt;font size="-1"&gt;link&lt;/font&gt;&lt;/a&gt;&lt;font size="-1"&gt; &amp;nbsp; &amp;nbsp;|&amp;nbsp; 08-10-10&lt;/font&gt;
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<pubDate>Tue, 10 Aug 2010 16:48:39 -0700</pubDate>
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<item>
<title>Video Portrait of Elizabeth Willis</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#08-09-10</link>
<description>
&lt;!-- &lt;/span&gt; --&gt;
&lt;!-- &lt;/span&gt; --&gt; &lt;br&gt;
&lt;a name="08-09-10" id="08-09-10"&gt;&lt;/a&gt;
&lt;div align="center"&gt;

&lt;p&gt;&lt;font size="+1" face="Georgia, Times New Roman, Times, serif"&gt;&lt;b&gt;Elizabeth Willis&lt;/b&gt;&lt;/font&gt;
    &lt;!-- ONE --&gt;
&lt;/p&gt;
&lt;p id="willis1"&gt; &lt;a href="http://www.macromedia.com/go/getflashplayer"&gt;Go to blog page to see stream of this video&lt;/a&gt; to see this player.&lt;/p&gt;
&lt;script type="text/javascript"&gt;
var FO = { movie:"http://media.sas.upenn.edu/pennsound/authors/Bernstein/portraits/flvplayer.swf",width:"640",height:"480",majorversion:"7",build:"0",bgcolor:"#FFFFFF",allowfullscreen:"true",
flashvars:"file=http://media.sas.upenn.edu/pennsound/authors/Bernstein/portraits/Willis-Elizabeth-Ch-Bernstein_060-4-07_NYC.flv&amp;image=http://media.sas.upenn.edu/pennsound/authors/Bernstein/portraits/willis.jpg"};
&lt;!-- TWO --&gt;
UFO.create( FO, "willis1");
&lt;/script&gt;
&lt;b&gt;Versions of Winter&lt;/b&gt; &lt;br&gt;
Liz grew up in Northern Wisconsin and spent many years in Buffalo (where she got her PhD), before moving to Western Massachusetts. She and Peter came by my apartment one afternoon
and I shined a light on her and asked her about the seasons. &lt;br&gt;
&lt;b&gt;June 4, 2007&lt;br&gt;
&lt;/b&gt;&lt;a href="http://media.sas.upenn.edu/pennsound/authors/Bernstein/portraits/Willis-Elizabeth-Ch-Bernstein_060-4-07_NYC.mp4"&gt;(mp4, 32 sec., 7.4 mb)&lt;/a&gt;&lt;/div&gt;

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&lt;div align="left"&gt;
&lt;a href="http://epc.buffalo.edu/authors/bernstein/blog/#08-09-10" 
title="08-09-10" rel="bookmark"&gt;&lt;font size="-1"&gt;link&lt;/font&gt;&lt;/a&gt;&lt;font size="-1"&gt; &amp;nbsp; &amp;nbsp;|&amp;nbsp; 08-09-10&lt;/font&gt;
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<pubDate>Mon, 09 Aug 2010 08:01:29 -0700</pubDate>
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<title>John Wieners EPC page</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#08-07-10</link>
<description>
&lt;!-- &lt;/span&gt; --&gt;
&lt;!-- &lt;/span&gt; --&gt; &lt;br&gt;
&lt;a name="08-07-10" id="08-07-10"&gt;&lt;/a&gt;
&lt;div align="center"&gt;

&lt;p&gt;&lt;img name="" src="http://epc.buffalo.edu/authors/wieners/photos/wieners_brownie.jpg" alt=""&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;a href="http://epc.buffalo.edu/authors/wieners/"&gt;John Wieners EPC page&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Poems selected by CA Conrad&lt;br&gt;
  Edited &amp;amp; designed by Jack Krick &lt;br&gt;
  &lt;br&gt;
  The EPC extends its warm thanks to Bill Corbett, Penelope Creeley, Jim Dunn, Raymond Foye, Jack Kimball and James Maynard for their invaluable assistance.&lt;/p&gt;
&lt;/div&gt;

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&lt;/div&gt; 



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<pubDate>Mon, 09 Aug 2010 07:13:41 -0700</pubDate>
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<title>4 early Scalapino books complete PDFs</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#07-31-10</link>
<description> 
&lt;!-- &lt;/span&gt; --&gt;
&lt;!-- &lt;/span&gt; --&gt; &lt;br&gt;
&lt;a name="07-31-10" id="07-31-10"&gt;&lt;/a&gt;

&lt;div align="center"&gt;

    &lt;/a&gt;&lt;/i&gt;
    &lt;p&gt;&lt;b&gt;&lt;a href="http://epc.buffalo.edu/authors/scalapino/"&gt;Leslie Scalapino&lt;/a&gt;&lt;br&gt;
      early books&lt;/b&gt;
      
        &lt;br&gt;
        &lt;i&gt;&lt;a href="http://epc.buffalo.edu/authors/scalapino/Scalapino-Leslie_0-and-0ther-Poems_1976.pdf"&gt;&lt;br&gt;
          &lt;br&gt;
          O and other poems &lt;br&gt;
            &lt;/a&gt;&lt;/i&gt;(Berkeley: Sand Dollar, 1976) &lt;br&gt;
      (pdf of complete book)&lt;br&gt;
      &lt;br&gt;
      &lt;a href="http://epc.buffalo.edu/authors/scalapino/Scalapino-Leslie_The-Woman-Who-Could-Read-the-Minds-of-Dogs_1976.pdf"&gt;&lt;i&gt;The Woman Who Could Read the Minds of Dogs&lt;/i&gt;&lt;br&gt;
        &lt;/a&gt;(Berkeley: Sand-Dollar,1976&lt;br&gt; 
      (pdf of complete book)&lt;br&gt;
  &lt;br&gt;
      &lt;i&gt;&lt;a href="http://epc.buffalo.edu/authors/scalapino/Scalapino-Leslie_This-eating-and-walking_1979.pdf"&gt;This eating and walking at the same time is associated all right&lt;/a&gt;&lt;/i&gt; &lt;br&gt;
      (Bolinas: Tombouctou, 1979) &lt;br&gt;
      (pdf of complete book)&lt;br&gt;
      &lt;br&gt;
      &lt;i&gt;&lt;a href="http://epc.buffalo.edu/authors/scalapino/Scalapino_Leslie_Instead-of-an-Animal_1978.pdf"&gt;Instead of an Animal,&lt;/a&gt; &lt;/i&gt;drawings by Scalapino's sister Diane Sophia &lt;br&gt;
      (Cloud Marauder Press, 1978)
      &lt;br&gt;
      (pdf of complete book)  &lt;/p&gt;
    &lt;p&gt;N.B. the latter three titles are collected in &lt;i&gt;Considering How Exaggerated Music Is&lt;/i&gt; (North Point, 1982) : &lt;a href="http://www.spdbooks.org/Producte/0865470669/considering-how-exaggerated-music-is.aspx"&gt;available from SPD&lt;/a&gt;&lt;br&gt;
&lt;/p&gt;
&lt;/div&gt;

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<pubDate>Fri, 06 Aug 2010 15:37:19 -0700</pubDate>
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<title>Yunte Huang's Charile Chan</title>
<link>http://epc.buffalo.edu/authors/bernstein/blog/#08-06-10-Chan</link>
<description>
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&lt;div align="center"&gt;

&lt;p class="MsoNormal"&gt;&lt;span style="font-variant:small-caps; "&gt;&lt;b&gt;Yunte Huang's Charlie Chan like Danny Kaye's duck:&lt;br&gt;
  swan in soup.&lt;/b&gt;&lt;/span&gt;&lt;br&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;img name="" src="http://1.bp.blogspot.com/_k385N5WHIAQ/TBgJCCwmBNI/AAAAAAAAAmE/r-DvP2y2miA/s1600/IMG_1439.JPG" width="600" alt=""&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;a href="http://books.wwnorton.com/books/Charlie-Chan/"&gt;Yunte Huang&amp;rsquo;s book &lt;/a&gt;is a tribute to Charlie Chan as a key figure at the heart of what makes American culture most vibrant &amp;ndash; cross-cultural miscegenation. While the book offers fascinating details on the &amp;ldquo;real&amp;rdquo; Charlie Chan versus his book and move incarnations, it also includes a detailed history of anti-Chinese racism in the U.S., from lynching to yellowface. Yuang&amp;rsquo;s ever-fascinating book overlays cultural studies, film history, poetics, and autobiography to make an enormously entertaining and edifying, but also disturbing study. Huang&amp;rsquo;s style moves from a hilarious pastiche and exquisitely subtle ventriloquism of Chanisms &amp;ndash; Chan&amp;rsquo;s pataqueerical aphorisms are at the heart of the study &amp;ndash; to shocking stories of violence against Chinese immigrants. In &lt;i&gt;Charlie Chan &lt;/i&gt;Huang  offers a a compelling paradigm for  Asian-American and ethnic studies.&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;a href="http://www.newyorker.com/arts/critics/books/2010/08/09/100809crbo_books_lepore"&gt;This weeks' &lt;i&gt;New Yorker&lt;/i&gt; provides a good summary of part of the book.&lt;/a&gt;&lt;br&gt;
(&lt;i&gt;New Yorker&lt;/i&gt; placement like  pig 'n' blanket at Bar Mitzvah: all beef.)&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;a href="http://tinfisheditor.blogspot.com/2010/06/charlie-chan-is-dead-and-living-in.html"&gt;Susan Schultz provides a more subtle reading. &lt;/a&gt;&lt;br&gt;
(and she provides the photo above.)&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;a href="http://books.wwnorton.com/books/Charlie-Chan/"&gt;&lt;img name="" src="http://media.wwnorton.com/cms/books/9780393069624_300.jpg" width="300" height="458" alt=""&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;

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&lt;a href="http://epc.buffalo.edu/authors/bernstein/blog/#08-06-10-Chan" 
title="08-06-10-Chan" rel="bookmark"&gt;&lt;font size="-1"&gt;link&lt;/font&gt;&lt;/a&gt;&lt;font size="-1"&gt; &amp;nbsp; &amp;nbsp;|&amp;nbsp; 08-06-10-Chan&lt;/font&gt;
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</description>
<pubDate>Fri, 06 Aug 2010 10:13:15 -0700</pubDate>
<guid isPermaLink="false">RSSPECT-001140294</guid>
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